Ireal pro chord symbols8/23/2023 ![]() Rather than having a chord library that display all possible combination of chords (possible few thousands!), it would make more sense to have basic chord structures to create all type of chords using slash chords. Using slash chords gives lots of options. This kind of chord can be played without any problem with iRealProĪbout the other one X-∆13, I don't think iRealPro can play it exactly. To my ears the chart with the b9's and b13's sounds awful.Ĭ-∆7♭5 for instance is actually a B/C (B triad over C bass). I use this chart for playing with real musicians.Īnd this chart for practicing with the play along feature of iReal. Instead I just want to make sure he doesn't play any major 9's or 13's. I do not want the piano player to bang down b97's and b9b13's. The chord instrument function is a little more subjective but it's basically to help progress the harmonic motion moving forward.įor instance in my chart of "ALL OF ME" I use a lot of b97's and b9b13's because those altered notes are what I will most likely play in my solo.īUT. It is the scales of the lead counterpointing with the scales of the bass. I don't think iReal has the ability to be so specific with voicing a chord? It would be cool thoughįor jazz however, I think some folks may be confused about the function of a chord chart. Or even with the "Long Tones" style for avant garde playing. I could see using this as an ending chord with a performance oriented chart. ![]() ![]() As a realtime playable chord though you could play a C^ in the left hand and an Eb-^ in the right. With a triad it's a C triad under a B triad under a Bb under an A etc. Just play a major seven above every note. One of my favorite sounds is the stacked major 7. When composing I too enjoy playing with harmony. CraigPerhaps iReal is not the best tool for the OP? I use iRealPro to compose harmonies around my melodies, and since I am a fusion/post-bop/avant-garde composer, I find myself unable to write out the chords I actually want, a lot of the time.
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